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BORAM KIM PIANO RECITAL
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❚PROFILE
ÇǾƴϽºÆ® ±èº¸¶÷
¾ÆÄ«µ¥¹ÍÇϸ鼵µ ¼¼·ÃµÈ À½¾ÇÀ» ¼±º¸ÀÌ´Â ÇǾƴϽºÆ® ±èº¸¶÷Àº ÇѾç´ëÇб³ À½¾Ç´ëÇÐ ÇǾƳë°ú¸¦ ¼ºÀû¿ì¼ö·Î Á¹¾÷ÇÏ°í, ÀÌÅ»¸®¾Æ Æù´ÙÁö¿À³× ¾Æ¸£Ã÷ ¾ÆÄ«µ¥¹Ì(Fondazione Arts Academy)¿¡¼ ¿¬ÁÖÀÚ °úÁ¤(Artistic Diploma)À» Á¹¾÷ÇÏ¿´´Ù. ÀÌÈÄ ¹Ì±¹ Çǹٵð Äܼ¹ÙÅ丮(Peabody Institute of the Johns Hopkins University)¿¡¼ Rewards General ScholarshipÀ» ¼ö¿©¹ÞÀ¸¸ç ¼®»ç °úÁ¤(Master)À» Á¹¾÷ÇßÀ¸¸ç, Åػ罺 ¿À½ºÆ¾ ÁÖ¸³´ëÇб³(University of Texas at Austin)¿¡¼ Couper Endowed Persidential Scholarship°ú Music Endowment Fund Scholarship ¼ö»óÀÚ·Î ¼±Á¤µÇ´Â µî ±â·®À» ÀÎÁ¤¹ÞÀ¸¸ç <Messiaen¡¯s Vingt Regards sur l¡¯enfant Jésus for Piano: Theoretical Methodology and connection with Theology and the Sound of Nature> ³í¹®À¸·Î ¹Ú»çÇÐÀ§(Doctor of Musical Arts)¸¦ ÃëµæÇß´Ù.
¸¸ 11¼¼¿¡ ¼º³²½Ãû¼Ò³â¿ÀÄɽºÆ®¶ó¿Í Çù¿¬À¸·Î ¿¬ÁÖÀڷμ µ¥ºßÇÏ¿© ÀÏÂïÀÌ µÎ°¢À» ³ªÅ¸³»¾ú°í ±¹³»¿¡¼ ¼º³²½ÃÇлý ÄáÄí¸£, ¼¿ï±³À°´ëÇб³ ÄáÄí¸£ µî ±¹³» À¯¼ö ÄáÄí¸£¿¡ ÀÔ»óÇÏ¸ç °¡´É¼ºÀ» ÀÎÁ¤¹Þ¾Ò´Ù. ÀÌÈÄ ÀÌÅ»¸®¾Æ¿Í ¹Ì±¹ÀÇ Epta Hall(Italy), Goodwin Hall(USA), Friedberg Hall(USA), Bates Recital Hal(USA) µî¿¡¼ ²ÙÁØÈ÷ µ¶ÁÖȸ¸¦ °³ÃÖÇÏ¿´°í ¿þ½ºÆ®¹Î½ºÅÍ(Westminster at Austin(USA))¿¡ ÃÊûµÇ¾î ¿¬ÁÖÇϱ⵵ ÇÏ¿´´Ù. ¶ÇÇÑ ÇÇ¾Æ³ë µ¶ÁÖ»Ó ¾Æ´Ï¶ó ¾Ó»óºí ¿¬ÁÖ¿¡µµ Áö¼ÓÀûÀÎ °ü½ÉÀ» ±â¿ï¿© Jessen Auditorium(USA) µî¿¡¼ Æø³ÐÀº ·¹ÆÛÅ丮·Î °ü°´µé°ú È£ÈíÇØ ¿Ô´Ù.
±¹³»¿¡¼´Â 2019³â ±ÝÈ£¾ÆƮȦ¿¡¼ ±Í±¹ ÇÇ¾Æ³ë µ¶ÁÖȸ¸¦ ½ÃÀÛÀ¸·Î ºÎ¾Ï¾ÆƮȦ ÃÊû À½¾Çȸ(ºÎ¾Ï¾ÆƮȦ), ±èº¸¶÷ Á¤ÇýÀº Á¶ÀÎÆ® ¿¬ÁÖȸ(¸¶¸®¾ÆÄ®¶ó½ºÈ¦), ¾Ó»óºí Á꺧 â´Ü¿¬ÁÖȸ¿Í Á¤±â¿¬ÁÖ(¿µ»ê¾ÆƮȦ, ¼¼¶ó¹ÍÆÈ·¹½ºÈ¦, ±ÝÈ£¾ÆƮȦ¿¬¼¼), Çǹٵð ÇǾƳë Ç÷¹À̾îÁî ÄܼƮ(¿¹¼úÀÇÀü´ç) µî¿¡¼ ´Ù¾çÇÑ ·¹ÆÄÅ丮·Î °ü°´µéÀ» ¸¸³ª¿Ô´Ù. ¶ÇÇÑ ±Í±¹ ÈÄ ¸Å³â µ¶ÁÖȸ¸¦ ÅëÇØ ¼Ö·Î ·¹ÆÛÅ丮¸¦ ²÷ÀÓ¾øÀÌ ¿¬±¸Çϸç È°¹ßÇÑ ¿¬ÁÖÈ°µ¿À» º¸¿©ÁÖ¾ú´Ù.
ÇǾƴϽºÆ® ±èº¸¶÷Àº Boris Slutsky, Roy Howat, Ann Schein µîÀÇ ¸¶½ºÅÍŬ·¡½º¿¡ Âü¿©ÇÏ¿´À¸¸ç, ÀÌ´ë¿í, Faust di Cesare, Paolo Subrizi, Marian Hahn, Gegory AllenÀ» »ç»çÇß´Ù. ¶ÇÇÑ ¾Ó»óºí <Á꺧>°ú Àü¹® ¿¬ÁÖ´Üü <ÇѾç¼Ö·ÎÀ̽ºÃ÷> ¸â¹ö·Î ´Ù¾çÇÑ ¿¬ÁÖÈ°µ¿À» ÆîÄ¡°í ÀÖÀ¸¸ç, °è¿ø¿¹¼úÁßÇб³ °»ç¸¦ ¿ªÀÓ, ÇöÀç °è¿ø¿¹¼ú°íµîÇб³ Ãâ° ¹× °¡Ãµ´ëÇб³, ¼ö¿ø´ëÇб³ °´¿ø±³¼ö·Î ÈÄÇÐÀ» ¾ç¼ºÇÏ´Â µ¥¿¡µµ Èû¾²°í ÀÖ´Ù.
❚PROGRAM
R. Schumann - Kinderszenen op. 15
Von fremden Ländern und Menschen ¹ÌÁöÀÇ ³ª¶óµé
Curiose Geschichte ÀÌ»óÇÑ À̾߱â
Hasche-Mann ¼ú·¡Àâ±â
Bittendes Kind ¶¼¾²´Â ¾ÆÀÌ
Glückes genug ¸¸Á·
Wichtige Begebenheit Å« »ç°Ç
Träumerei Æ®·ÎÀ̸޶óÀÌ
Am Camin ³·Ô°¡¿¡¼
Ritter vom Steckenpferd ¸ñ¸¶ÀÇ ±â»ç
Fast Zu ernst ½É°¢Çѵí
Fürchtenmachen °ÌÁÖ±â
Kind im Einschlummern ÀáÀÚ´Â ¾ÆÀÌ
Der Dichter spricht ½ÃÀÎÀÇ À̾߱â
J. Brahms - Piano Sonata Op. 5 No. 3 in f minor
¥°. Allegro maestoso
¥±. Andante
¥². Scherzo – Trio
¥³. Intermezzo (Rückblick)
¥´. Finale
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