À»»ç³â(ëàÞÓÒ´), Ǫ¸¥ ¹ìÀÇ Çظ¦ ¸ÂÀÌÇÏ¿© À½¾ÇÀ» ¸Å°³Ã¼ »ï¾Æ »õ·Ó°í ÈûÂ÷°Ô µµ¾àÇÒ ½Å¿¹ À½¾Ç°¡µéÀÌ À½¾Ç±³À°½Å¹®ÀÌ ÁÖÃÖ ¹×ÁÖ°üÇÏ´Â ¡®À½¾Ç±³À°½Å¹® ÃÊû Á¦41ȸ ¿µ¾ÆƼ½ºÆ® ÄܼƮ¡¯·Î ¿À´Â 2¿ù 15ÀÏ(Åä) ¿ÀÈÄ 2½Ã, 7½Ã ¿µ»ê¾ÆƮȦ¿¡¼ °üÁßµé°ú ¸¶ÁÖÇÑ ´Ù. º» ¹«´ë¸¦ ±âÁ¡À¸·Î »õ·Î¿î ½ÃÀÛ°ú ÁöÇý·Î¿òÀ» ¹ßÆÇ»ï¾Æ ¼ºÀå°ú ¹ßÀüÀ» ÀÌ·ç¾î³»¾î ¹Ì·¡ À½¾Ç°è¿¡ »õ·Î¿î ¹°°áÀ» ÀÏ·¯¿Ã À̵éÀÌ ²Ù¹Ð º» ¹«´ë¸¦ ÁýÁßÇغ¸ÀÚ.
¿ÀÈÄ 2½Ã
Vn. ³ª°æ¿ø (ÇöÀç ÇѽÅÃʵîÇб³ 5Çгâ ÀçÇÐ/»ç»ç Áø¿¹ÀÎ)
¨Ü F. Kreisler Praeludium and Allegro in the Style of Pugnani Fl. ±èÀ±¼Ö (ÇöÀç ¼ÒÈÃʵîÇб³ 3Çгâ ÀçÇÐ/»ç»ç ¾ÈÁøÈñ, ÃÖ¼¼¿µ)
¨Ü C. Stamitz Flute Concerto in G Major, Op. 29 1st mov.
Vn. ¹®¶óÇÏ (ÇöÀç Á¶³²ÃʵîÇб³ 6Çгâ ÀçÇÐ, ½ÃÈï½Ã À¯½ºÇÊÇϸð´Ð ¿ÀÄɽºÆ®¶ó ¾ÇÀå/»ç»ç ÇÔÇö¹Ì) ¨Ü P. Sarasate Introduction & Tarantella Op. 43 Vc. ½ÉÀçÀ± (ÇöÀç ÇѽÅÃʵîÇб³ 3Çгâ ÀçÇÐ/»ç»ç ÇÑÇýÁø)
¨Ü J. S. Bach Cello Suite No. 1 III. Courante / W. H.
Squire Tarantella Op. 23 Vn. ¹Ú±Ô¸® (ÇöÀç Àå°îÁßÇб³ 3Çгâ ÀçÇÐ, ÀÎõ¿¹¼ú°íµîÇб³ ÀÔÇÐ ¿¹Á¤, ½ÃÈï½Ã À¯½ºÇÊÇϸð´Ð ¿ÀÄɽºÆ®¶ó ¾ÇÀå/»ç»ç ÇÔÇö¹Ì)
¨Ü H. Wieniawski Polonaise No. 1 in D Major Op. 4 Rec. ±è¿¬ÇÏ (ÇöÀç ´ö¿ø¿¹¼ú°íµîÇб³ ÀÔÇп¹Á¤, ¾çÆò¸®ÄÚ´õ¾Ó»óºí ´Ü¿ø/»ç»ç Á¶ÁøÈñ, ¹®ÀºÇý)
¨Ü G. Fr. Händel Recorder Sonata in C Major, HWV 365, Op. 1, No. 7 Vn. ÀÓ俵 (ÇöÀç ±¸¼º°íµîÇб³ ÀÔÇп¹Á¤, µ¿ÅºÀ¯½º¿ÀÄɽºÆ®¶ó ´Ü¿ø/»ç»ç ±èȸÁø)
¨Ü E. Lalo Symphonie Espagnole Op. 21 1st mov.
Pf. Â÷¹ÎÁÖ (ÇöÀç Ãæ³²´ëÇб³ ¿¹¼ú´ëÇпø À½¾Ç°ú 2Çгâ ÀçÇÐ/»ç»ç Çѵµ°æ, ÃÖÁø¾Æ)
¨Ü N. Medtner Sonata Tragica Op. 39 No.
5 in c minor Saxo. ±è´ëÈ£ (ÇöÀç °æ±â¿¹¼ú°íµîÇб³ 1Çгâ ÀçÇÐ/»ç»ç ÀºÁ¾¼±)
¨Ü H. Tomasi Concerto pour Saxophone Alto et Orchestra 1st mov.
Pf. ÀÌÀº¾Ö (ÇöÀç ´Ù¼ö ¿¬ÁÖ Áغñ Áß/»ç»ç Á¤Á¤Èñ)
¨Ü F. Liszt Consolation No. 2 in E Major, S. 172 / S. Rachmaninoff Prelude in g minor, Op. 23 No. 5 ¸®Á¨¾Ó»óºí - Vn. ±è¼Ò¿µ (ÇöÀç ÀÎõ¿¹¼ú°íµîÇÐ ±³, ¹éÇÐÃʵîÇб³ °»ç) / Fl. ±èº¸³ª (ÇöÀç ½Å½Ã ¾îÇ÷çÆ®¾Ó»óºí, ÇöûÇ÷çÆ®¾Ó»óºí, ¸®Á¨¾Ó»óºí ´Ü¿ø) / Pf. ÀÌÇöÁö (ÇöÀç Voce Aurum choir ¹ÝÁÖÀÚ)
¨Ü F. Doppler Duettino Americain Op. 37
¿ÀÈÄ 7½Ã
Pf. À̱Ը² (ÇöÀç °è¿ø¿¹¼úÁßÇб³ 1Çгâ ÀçÇÐ/»ç»ç À̽°æ)
¨Ü F. Listz Two Concert Etudes, No. 2 Gnomenreigen / F. Chopin Etude Op.
10, No. 12 Vc. ÀÌ¿¹Áø (ÇöÀç ½ÅÁ¤ÃʵîÇб³ 4Çгâ ÀçÇÐ/»ç»ç ÀüÁ¤È, À±¼±Çü)
¨Ü J. Haydn Cello Concerto No.1 in C Major 1st mov.
Pf. Ȳ´Ù¿ø (ÇöÀç ´ö¿ø¿¹¼ú°íµîÇб³ 2Çгâ ÀçÇÐ/ »ç»ç ±èÇüÁø)
¨Ü L. v. Beethoven Piano Sonata No. 21 in C Major Op. 53 ¡¯Waldstein' 1st mov.
Vn. ÀÓ¼ÒÀº (ÇöÀç ¼±È¿¹¼úÁßÇб³ 1Çгâ ÀçÇÐ/»ç»ç ÇöÁØÈñ)
¨Ü M. Bruch Violin Concerto No. 1 in g minor, Op. 26 3rd mov.
Sop. ½ÅÁöÀ² (ÇöÀç Áß´ëºÎ¼ÓÃʵîÇб³ 6Çгâ ÀçÇÐ, ¼±È¿¹¼úÁßÇб³ ÀÔÇп¹Á¤/»ç»ç À̱â¿ë)
¨Ü G. Bononcini Per la gloria d'adorarvi / ¹Ú¹®È£ ÀÛ»ç/±è±Ôȯ ÀÛ°î ´ÔÀÌ ¿À½Ã´ÂÁö Pf. Á¤Áö¹Î (ÇöÀç ¼±È¿¹¼ú°íµîÇб³ 2Çгâ ÀçÇÐ/ »ç»ç ÁöÀ¯°æ)
¨Ü L. v. Beethoven Sonata No. 4 in E-flat Major, Op. 7 1st mov. / F. Chopin Etude Op. 10 No. 8 Vn. ¹ÚÈÀ½ (ÇöÀç °è¿ø¿¹¼ú°íµîÇб³ 1Çгâ ÀçÇÐ/ »ç»ç À̼Çö)
¨Ü S. Prokofiev Violin Concerto No. 1 in D Major, Op. 19 1st mov. / H. Wieniawski Violin Concerto No. 2 in d minor, Op.
22 3rd mov.
Pf. ±¸Áö¹Î (ÇöÀç Áß¾Ó´ëÇб³ ÇǾƳë°ú ÀÔÇÐ ¿¹Á¤/»ç»ç ÀÓÀç¼±)
¨Ü F. Chopin Ballade No. 1 in g minor Op.
23 Sop. À¯Á¤¾Æ (ÇöÀç ¼º½Å¿©ÀÚ´ëÇб³ âÀÇÀ¶ÇÕÇкΠ¿¹Ã¼´ÉÀü°ø ÀÔÇÐ ¿¹Á¤/»ç»ç ÀåÀºÁø)
¨Ü ±èÈ¿±Ù ÀÛ»ç/ÀÛ°î – ´« / J. Strauss Mein Herr Marquis Pf. ¹Ú½Ã¿Â (ÇöÀç Ã߰迹¼ú´ëÇб³ ÇǾƳë°ú ÀÔÇÐ ¿¹Á¤/»ç»ç ±è¼öÇö, ¹Ú½Å¿ø)
¨Ü J. Haydn Sonata in b minor Hob. XVI 32 1st, 3rd mov.
2Pianos 4Hands - 1st. ±è¿¹Áø (ÇöÀç ÃѽŴëÇб³ ±³È¸À½¾Ç°ú 3Çгâ ÀçÇÐ/»ç»ç ±èÁ¤¸²) / 2nd. ÀüÈ¿Á¤ (ÇöÀç ÃѽŴëÇб³ ±³È¸À½¾Ç°ú 2Çгâ ÀçÇÐ/ »ç»ç ±èÁ¤¸²)
¨Ü S. Rachmaninoff Suite for 2 Pianos No. 2 in g minor Op. 17 IV. Tarantella
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