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Mihyun Ahn Piano Recital
‣ ÀÏ ½Ã : 2024³â 12¿ù 11ÀÏ(¼ö) ¿ÀÈÄ 7½Ã30ºÐ
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‣ ±Ý ¾× : Àü¼® 20,000¿ø(ÇлýÇÒÀÎ 50%)
‣ ¿¹ ¸Å : ¿¹¼úÀÇÀü´ç 1668-1352, ÀÎÅÍÆÄÅ© 1544-1555 ticket.interpark.com
‣ ¹® ÀÇ : À½¾Ç±³À°½Å¹® 02-549-4133, 1131 www.musiced.co.kr
❚PROFILE
Pianist ¾È¹ÌÇö Mihyun Ahn
¡°±×³àÀÇ °¨°¢ÀûÀÌ°í ¹Î°¨ÇÑ ÅÍÄ¡, ±×¸®°í dzºÎÇÑ À½»öÀ¸·Î ¸ôÀÔÇϸç ÁöÀûÀÎ Çؼ®°ú ¼¶¼¼ÇÑ Ç¥Çö·ÂÀº °ü°´µéÀ» ÀúÀý·Î ȯȣÇÏ°Ô ÇÑ´Ù!"
-"Neue Presse", µ¶ÀÏ Æò·Ð°¡ Bernd Schellhorn
"This pianist has a rare talent. She is a natural and graceful.
She plays with a beautiful singing sound and performs music with poetry and with the sensitivity.
She owns a brilliant technique, but never as a display of mere virtuosity, but as a offer to music."
- By Olivier Gardon
ÁöÀûÀÎ Çؼ®°ú ¼¶¼¼ÇÑ Ç¥Çö·ÂÀ¸·Î Æò°¡¹Þ°í ÀÖ´Â Á¦ÁÖ Ãâ»ý ÇǾƴϽºÆ® ¾È¹ÌÇöÀº ¸¸ 13¼¼ ¶§ µµºÒÇÏ¿© ÇÁ¶û½º Ecole Normale de Musique de Paris¿¡¼ ¿¬ÁÖÀÚ °úÁ¤°ú Àü¹® ¿¬ÁÖÀÚ °úÁ¤À» ½É»çÀ§¿ø ¸¸ÀåÀÏÄ¡·Î ÃÖ¿¬¼Ò ³ªÀÌ·Î ¼ö¼® Á¹¾÷ÇÏ¿´´Ù. Æĸ® ½Ã¸³À½¾Ç¿ø (Conservatoire National Regional de Paris) ÃÖ°í¿¬ÁÖÀÚ °úÁ¤À» ¸¸ÀåÀÏÄ¡ ¼ö¼® Á¹¾÷ÇÏ¿´À¸¸ç ÀÌÈÄ µ¶ÀÏ·Î °Ç³Ê°¡ µ¥Æ®¸ôÆ® ±¹¸³À½´ë Çлç°úÁ¤À» ¸¸Á¡ Á¹¾÷ÇÏ¿´´Ù. µÚÀÌ¾î µ¶ÀÏ Çϳë¹ö ±¹¸³À½´ë¿¡¼ ¼®»ç°úÁ¤À» ¸¸Á¡À¸·Î Á¹¾÷, ÃÖ°í¿¬ÁÖÀÚ °úÁ¤ (Konzertexamen)À» ¸¸ÀåÀÏÄ¡ Á¹¾÷Çϸç ÇǾƴϽºÆ®ÀÇ ±âƲÀ» ´ÙÁ³´Ù.
12¼¼¿¡ Á¦ÁÖ ÇѶó¾ÆƮȦ ´ë±ØÀå¿¡¼ ù ÇÇ¾Æ³ë µ¶ÁÖȸ¸¦ ÅëÇØ ±¹³» À½¾Ç°è¿¡ µ¥ºßÇÑ ¾È¹ÌÇöÀº À½¾ÇÃáÃß ÄáÄí¸£, ÀϺ» ¿À»çÄ« ±¹Á¦ ÄáÄí¸£, ±×¸®½º ·Îµµ½º ±¹Á¦ ÄáÄí¸£ 1À§ ÀÔ»óÀ» ½ÃÀÛÀ¸·Î µÎ°¢À» ³ªÅ¸³»¸ç ÇÁ¶û½º Æĸ® Leopold Bellan ±¹Á¦ ÄáÄí¸£ 1À§, ÇÁ¶û½º Grand Prix International piano Montrond-les Bains ±¹Á¦ ÄáÄí¸£ 2À§ ¹× ûÁß»ó, µ¶ÀÏ ¾ÆÇî International Piano Competition Prix Amadeo de Piano ±¹Á¦ ÄáÄí¸£, µ¶ÀÏ ÇԺθ£Å© Deutschen Klavierwettbewerbes Polnischer Musik ÄáÄí¸£ µî ±¹³»¿Ü ´Ù¼öÀÇ ÄáÄí¸£¿¡¼ ÀÔ»óÇÏ¸ç ±â·®À» ÀÎÁ¤¹Þ¾ÒÀ¸¸ç 2017³â µ¶ÀÏ Çϳë¹ö ¼îÆØ ÄáÄí¸£ 3À§ ¹× ûÁß»ó, µ¶ÀÏ Çϳë¹ö ¼îÆØÇùȸ¿¡¼ ÀåÇÐ±Ý ¼ö¿©ÇÏ¿´´Ù.
±×³à´Â ·ç¸¶´Ï¾Æ Giurgiu Philharmonic Orchestra, üÄÚ OPAVA Symphony Orchestra, Jeju Youth orchestra¿Í Çù¿¬, ÇÁ¶û½º ÇǾƴϽºÆ®ÀÇ °ÅÀåÀÎ Germaine Mounier Ã߸ðÀ½¾Çȸ¿¡ ÃÖ¿¬¼Ò Ã⿬Çϸç ÀÏÂïÀÌ Àü¹® ¿¬ÁÖÀڷμÀÇ ¹ßÆÇÀ» ´ÙÁ³À¸¸ç Germaine Mounier, Guigla Katsarava, Olivier Gardon, Alfredo Perl, Ewa KupiecÀ» »ç»çÇÏ¿´´Ù. ¶ÇÇÑ Vladimir Feltsman, ¹éÇý¼±, Bernd Goetzke, Andrzej Jasinski, Katarzyna Popowa-Zydron, Piotr Paleczny, Hung-Kuan Chen, Jerome Rose, Bruno Rigutto µîÀÇ ¸¶½ºÅÍŬ·¡½º¿¡ Âü°¡ÇØ ¼¼°èÀû ÇǾƴϽºÆ®µéÀÇ °¡¸£Ä§À» ¹Þ¾Ò´Ù. 2009³â Æú¶õµå ¹Ù¸£»þ¹Ù Sala Windowisowa Palladium¿¡¼ ÇǾƴϽºÆ® Marek Drewnowski¿Í µà¿À ¸®»çÀÌƲÀ» ½ÃÀÛÀ¸·Î, Æú¶õµå Filharmonia Gorozowska ÃÊû µ¶ÁÖȸ, Æĸ® Salle Cortot, Bibliotheque polonaise, µ¶ÀÏ Kalletal-Hohenhausen¿¡¼ µ¶ÁÖȸ, ÇÁ¶û½º Leopold Bellan Foundation ÃÊû µ¶ÁÖȸ, µ¶ÀÏ ¿À½º³ªºÎ¸£Å© ¡°Euregio Music Festival¡± ¿¬ÁÖ, µ¶ÀÏ Çϳë¹ö Richard Jakoby-Saal, Landesmuseum, µ¶ÀÏ Coburg Pfarrzentrum St.Augstin¿¡¼ ¿¬ÁÖ, 2017³â International Musikakademie Liechtenstein Àü¾×ÀåÇÐ±Ý ¼ö¿© ¹× ¿¬ÁÖ, ÀÌÅ»¸®¾Æ Ischia William Walton Foundation ÃÊû µ¶ÁÖȸ¸¦ °¡Á³À¸¸ç 2018³â µ¶ÀÏ Junges Sinfonieorchester Hannover ¿Í Çù¿¬, µ¶ÀÏ Bückeburg IMAS Àü¾×ÀåÇÐ±Ý ¼ö¿© ¹× Debussy ź»ý 150Áֳ⠱â³ä ¿¬ÁÖ, ÀÌÅ»¸®¾Æ William Walton Foundation ÀçÃÊû µ¶ÁÖȸ 2ȸ µîÀ» °¡Áö¸ç ¼¼°è¹«´ë¿¡¼ ´Ù¾çÇÏ°í È°¹ßÇÑ ¿¬ÁÖÈ°µ¿À» Àü°³Çϸç ÇöÁö °ü°´µéÀÇ ±ØÂùÀ» ¹Þ¾Ò´Ù.
2019³â ±Í±¹ÇÑ ±×³à´Â ¹Ì±¹ Vladimir Feltsman Piano Festival State University of New York¿¡¼ Àü¾× ÀåÇÐ±Ý ¼ö¿© ¹× ¿¬ÁÖ, Á¦ÁÖ ¹®È¿¹¼úÀç´Ü¿¡ ¼±Á¤µÇ¾î ÁÖÁ¦¿Í Çؼ³ÀÌ ÀÖ´Â µ¶ÁÖȸ¸¦ ¸Å³â °®°í ÀÖÀ¸¸ç, ¡°½´º£¸£Æ® ¼Ò³ªÅ¸ D. 959¿¡ ³ªÅ¸³ Heavenly length¡± ¡°±â¾ïÀÇ Áö¼Ó¡± À̶ó´Â ÁÖÁ¦·Î ·ºÃÄ ¸®»çÀÌƲÀ» °³ÃÖÇÏ¿´°í, Ç츣¸¸ Çì¼¼ÀÇ ¹®ÇÐ ÀÛÇ°°ú À¶ÇÕÇÑ ¡°°Ç¹ÝÀ§ÀÇ »ç°èÀý¡± ½Ã¸®Áî °ø¿¬ µî ±âÁ¸ Ŭ·¡½Ä °ø¿¬ÀÇ Æз¯´ÙÀÓÀ» ¹þ¾î³ ´Ù¾çÇÑ °ø¿¬±âȹ ½Ãµµ¿¡µµ ¿Á¤À» ½ñ°í ÀÖ´Ù. ÀÌ¿Ü¿¡µµ ¾ß¸¶ÇÏ ÄÚ¸®¾Æ ¶óÀÌ¡ ÄܼƮ, À¯Áß¾ÆƮȦ, ±ÝÈ£¾ÆƮȦ ¿¬¼¼, ¿¹¼úÀÇÀü´ç ±Í±¹ µ¶ÁÖȸ, Á¦ÁÖ ÇÁ¶óÀÓ ÇÊÇϸð´Ð ¿ÀÄɽºÆ®¶ó¿Í Çù¿¬, ´õÇϿ콺ÄܼƮ ÁÙ¶óÀÌ Æ佺Ƽ¹ú ÃÊû ¿¬ÁÖȸ µîÀ» ÅëÇØ ´Ù¾çÇÑ ¹«´ë¿¡¼ °ü°´°úÀÇ ¸¸³²À» Áö¼ÓÇؼ °¡Áö°í ÀÖ´Ù.
±Í±¹ ÀÌÈÄ ¼¿ï´ëÇб³ À½¾Ç´ëÇÐ ¹Ú»ç°úÁ¤¿¡ ÀÔÇÐÇÏ¿© À̹ÎÁ¤ ±³¼ö¸¦ »ç»çÇϸç Teaching Assistant·Î Àü¾×ÀåÇÐ±Ý ¼ö¿©, ¹Ú»ç°úÁ¤À» ¼ö·áÇÏ¿© ±íÀ̸¦ ´õÇÏ¿´´Ù. 2023³â ÀÌÅ»¸®¾Æ William Walton Foundation Àç ÃÊû µ¶ÁÖȸ 2ȸ¸¦ °¡Á³À¸¸ç, ±× »Ó¸¸ ¾Æ´Ï¶ó À½¾Ç±³À° ½Å¹®»ç, TBC µî ´Ù¾çÇÑ ±¹³» ÄáÄí¸£ ½É»çÀ§¿ø, ¸¶½ºÅÍ Å¬·¡½º ±³¼öÁøÀ¸·Îµµ ÃÊû¹Þ°í ÀÖ´Ù. ±×³à´Â New York City Piano Academy, ¼±È¿¹¼úÁß⦁°í, Æ÷Ç׿¹°í Ãâ° ¿ªÀÓÇÏ¿´°í, ÇöÀç ¼÷¸í¿©ÀÚ´ëÇб³, »ó¸í´ëÇб³ ¹× µ¿ ´ëÇпø, ±¹¸³ °¸ª¿øÁÖ´ëÇб³, ´ëÇпø¿¡ Ãâ°Çϸç Àü°ø½Ç±â ¹× ³í¹®¿¬±¸¹æ¹ý·Ð, Áöµµ µî ÈÄÇÐ ¾ç¼º¿¡µµ Èû¾²´Â µ¿½Ã¿¡ ¾ÆƼ½ºÆ® ¾Ë¸®¿¡ ±âȹ ¸ðÂ÷¸£Æ® ¼Ò³ªÅ¸ Àü°î ¿¬ÁÖȸ ½Ã¸®Áî °ø¿¬, ÇǾƳ빮Ç忬±¸È¸, Çѱ¹ ÇÇ¾Æ³ë µà¿À Çùȸ, Á¦ÁÖ ÇÇ¾Æ³ë ¾Ó»óºí, Çѱ¹ ÇǾƳëÇÐȸ ÇǾƳë¸ð ¿¬±¸À§¿øÀ¸·Î È°µ¿ÇÏ¸ç ´õ¿í´õ Æø³ÐÀº È°µ¿À» ÀÌ¾î ³ª°¡°í ÀÖ´Ù.
❚PROGRAM
Johann Sebastian Bach (1685-1750)
Gottes Zeit ist die allerbeste Zeit (¡°God's time is the very best time¡±) Cantata BWV 106
Bach(1685-1750) / Brahms Chaconne for the left hand in d minor
Claude Debussy(1862-1918) Masques L. 105 in a minor
Intermission
Frederic Chopin(1810-1849) Mazurka Op. 59
I. Moderato
Frederic Chopin(1810-1849) Mazurka Op. 24
I. Lento
II. Allegro non troppo
III. Moderato
IV. Moderato
Alexander Scriabin(1872-1915) Mazurka Op. 25
II. Allegretto
IV. Vivo
Alexander Scriabin(1872-1915) Sonata Op. 30 No. 4
I. Andante
II. Prestissimo volando
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